Monday, January 11, 2010

Masterpieces from Paris - Maurice Denis

The Gallery was very crowded today but I saw only 2 teenagers. I saw them first snogging in front of Mr Denis' Homage to Cezanne (click to view) and was struck by the enduring appeal and variety of black attire. The men in this painting are all artists, unusually garbed in business suits. They are discussing a painting by Cezanne, the younger Serusier explaining to Redon, on the left, why the Nabis group of artists admire it.




To complete a sketch, I followed the young couple as they moved from picture to picture. At home, I decided to liberate Redon from his canvas..... A is for apple, art and ardour.

Sunday, January 10, 2010

Masterpieces from Paris - Albert Besnard

On Thursday evening, I went to my monthly art group get together. We each take something for dinner and whatever 'show and tell' we have. I sketched  Meredith who is doing a project which requires daily stitching. I loved the blue of her blouse, and the shape of her armchair - which she calls the Albatros (the whole lounge suite) because, despite its inconvenient size, she drags it round whenever she moves house.

The Masterpiece work that I chose to guide me in painting this piece is Albert Besnard's Portrait of Madame Roger Jourdain - for the colours - white, pink and blue with highlights of yellow. Working from just the sketch, on sand, gessoed board to prevent over-detailed working, I have managed to get a likeness and perhaps the quiet mood. The composition is not ideal - perhaps it would be better croppped but then I would lose the shape of the armchair. Although this sort of portrait is not really what I want to do, it has been a good exercise. The scanner does not deal well with the rough surface.

Wednesday, January 06, 2010

Masterpieces from Paris - Emile Bernard again

Today I went to the funeral of Jean, an elderly friend of one of my friends. It was a very intimate ceremony with just a dozen or so mourners, at a peaceful lawn cemetery. I didn't know Jean well, but I heard many stories of her from my friend, who has visited her weekly for years. The eulogy, given by her son and only child, was beautifully written. Some time after the war, in England, when Jean found herself pregnant and 'let down' by the father, she bravely decided to have the baby and raise it herself. When her son was still small, she emigrated with him to Australia, knowing no one and with no support.

After the funeral, I went to the Gallery and popped into the Masters' exhibition to find a painting that spoke to me of Jean. I decided upon Breton Women with Umbrellas(click to view). The catalgue says that Bernard saw the Breton women as living simple, pious lives but it seems to me that four of the women in the picture are gossiping savagely about the young women seated in the foreground. She holds herself very still, refusing to rise to the bait - developing nerves of steel, maybe. Perhaps she is in the same situation as Jean, many years ago.
Back home, looking at the catalogue for a way to use this painting to make one about Jean, I noticed that the background is very reminicent of Canberra - the brown and yellow hills, blue/purple Brindabella mountains, central lake - even our (white) Parliament House. So that forms the background of my painting.
Jean loved the colour green and knitting, twice she travelled first class round the world with only carry-on baggage, and she was vigorously engaged politically. She was a forthright and determined lady. Sometimes it was difficult for her son to be her only family. At the end of the funeral, after we had scattered delicate, crimson rose petals onto the coffin and listened to meditative music, her son said there was just one more thing. He fumbled in a plastic shopping bag and drew out a net of oranges - "It's a mother and son thing", he said as he tumbled them into the grave. Australians will likely understand! For others, it is necessary to explain the reference. In the 70's there was a sharp comedy (called Mother and Son) about a confused, controlling mother and her long suffering son. On one occasion, they attend a funeral and somehow the mother drops her shopping - a sack of oranges - into the grave. It is a hilarious image which remains in the mind of many. Jean would have been heartily amused at her son's final offering. Everyone laughed and clapped. So that explains my painting for the day.
I find green a very difficult colour to work with.

Tuesday, January 05, 2010

Masterpieces from Paris - Emile Bernard



Emile Bernard's The Harvest is one of my favourite paintings at the Paris exhibition. It is only 56 x 40 cm, graphically striking with its contrasting, simple colour shapes and the strong diagonal. When Bernard hung this painting in the dining room of his lodgings, the other guests demanded it be removed and so he exchanged it for a work by Gauguin.
I have wanted to use the round shape of our dining table in a composition for a while and it seemed to match Bernard's curve of the hill. I had endless trouble trying to do the table surface - I find it hard to visualise what I want - and then there's the question of how to achieve it.
Acrylic on board
20cm x 20cm

Monday, January 04, 2010

Masterpieces from Paris - sleeping baby


Acrylic on board
30cm x 30cm
We are lucky to have an exhibition of post-impressionist paintings from the Musee d'Orsay on at the Australian National Gallery and I have bought a season ticket so I can ride there for my daily exercise. Last Friday, after I got tired of looking at paintings, I took to people watching and was able to sketch a man who had finally got his baby off to sleep. I loved the arrangement of his arms and the totally relaxed form of the baby.
I think I have over-worked again but am pleased to catch the image anyway and I am pleased with the composition - I like the two pink shapes, the central entanglement of the father and baby - and the way Van Gogh's Starry Night provides a depth in the flatness of the wall. Recently, I purchased a small painting from Sheila Vaughan who told me that over the past few years she has done over 800 painting - perseverence is the way to go.

Sunday, December 13, 2009


And here is my other 'creation', Tor, graduating last Friday with a first class honours degree in maths.








Not much art to show recently - but here is Finnian, my sailor girl, in the dress we made
with a 'sailor' collar - her drawings, my stitching on tulle
and she made the waistcoat with 'chilli' buttons for her David.